NOMINACIONES DE LOS INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION AWARDS

LISTADO COMPLETO

BANDA SONORA DEL AÑO

• COPPELIA, music by Maurizio Malagnini

• DUNE, music by Hans Zimmer

• THE GREEN KNIGHT, music by Daniel Hart

• JUNGLE CRUISE, music by James Newton Howard

• THE LAST DUEL, music by Harry Gregson-Williams

 

COMPOSITOR/A DEL AÑO

• PANU AALTIO

• NICHOLAS BRITELL

• JONNY GREENWOOD

• JAMES NEWTON HOWARD

• HANS ZIMMER

 

COMPOSITOR/A REVELACIÓN

• AMIE DOHERTY

• STEPHANIE ECONOMOU

• OSCAR MARTÍN LEANIZBARRUTIA

• ARTHUR SHARPE

• RAPHAELLE THIBAUT

 

MEJOR COMPOSICIÓN DEL AÑO

• “Arachnoverture” from SPIDER-MAN: NO WAY HOME, music by Michael Giacchino

• “Claret, Tema principal” from CLARET, music by Oscar Martín Leanizbarrutia

• “The Final Battle” from MY COUNTRY, MY PARENTS [WO HE WO DE FUBEI], music by Gordy Haab

• “Grand finale” from COPPELIA, music by Maurizio Malagnini

• “Riddles” from BUCKLEY’S CHANCE, music by Christopher Gordon

 

MEJOR BANDA SONORA EN PELÍCULA DRAMÁTICA

• BUCKLEY’S CHANCE, music by Christopher Gordon

• THE CURSE OF TURANDOT [TULANDUO: MOZHOU YUANQI], music by Simon Franglen

• THE LAST DUEL, music by Harry Gregson-Williams

• THE POWER OF THE DOG, music by Jonny Greenwood

• SPENCER, music by Jonny Greenwood

 

MEJOR BANDA SONORA EN PELÍCULA DE COMEDIA

• CRUELLA, music by Nicholas Britell

• DÉLICIEUX, music by Christophe Julien

• DON’T LOOK UP, music by Nicholas Britell

• THE FRENCH DISPATCH, music by Alexandre Desplat

• THE POTATO VENTURE [PERUNA], music by Panu Aaltio

 

MEJOR BANDA SONORA EN PELÍCULA DE ACCIÓN/AVENTURA/THRILLER

• GUNPOWDER MILKSHAKE, music by Frank Ilfman

• JUNGLE CRUISE, music by James Newton Howard

• THE KING’S MAN, music by Matthew Margeson and Dominic Lewis

• LAST NIGHT IN SOHO, music by Steven Price

• NO TIME TO DIE, music by Hans Zimmer

 

MEJOR BANDA SONORA EN PELÍCULA DE FANTASÍA/CIENCIA FICCIÓN/TERROR

• COPPELIA, music by Maurizio Malagnini

• DUNE, music by Hans Zimmer

• GHOSTBUSTERS: AFTERLIFE, music by Rob Simonsen

• THE GREEN KNIGHT, music by Daniel Hart

• SPIDER-MAN: NO WAY HOME, music by Michael Giacchino

 

MEJOR BANDA SONORA EN PELÍCULA DE ANIMACIÓN

• ENCANTO, music by Germaine Franco

• LUCA, music by Dan Romer

• RAYA AND THE LAST DRAGON, music by James Newton Howard

• SPIRIT UNTAMED, music by Amie Doherty

• WISH DRAGON, music by Philip Klein

 

MEJOR BANDA SONORA EN PELÍCULA DOCUMENTAL

• THE ARCTIC: OUR LAST GREAT WILDERNESS, music by Alex Heffes

• JULIA, music by Rachel Portman

• A PERFECT PLANET, music by Ilan Eshkeri

• QINGHAI: OUR NATIONAL PARK [QINGHAI: WOMEN DE GUOJIA GONGYUAN], music by Chad Cannon

• TALE OF THE SLEEPING GIANTS [TUNTURIN TARINA], music by Panu Aaltio

 

MEJOR BANDA SONORA EN SERIE DE TV

• COBRA KAI, music by Leo Birenberg and Zach Robinson

• FOUNDATION, music by Bear McCreary

• LOKI, music by Natalie Holt

• LOST IN SPACE, music by Christopher Lennertz

• MASTERS OF THE UNIVERSE: REVELATION, music by Bear McCreary

 

MEJOR BANDA SONORA EN VIDEOJUEGO O MEDIO INTERACTIVO

• ARK: GENESIS PART II, music by Gareth Coker

• CALL OF DUTY: VANGUARD, music by Bear McCreary

• GHOST OF TSUSHIMA: IKI ISLAND & LEGENDS, music by Chad Cannon and Bill Hemstapat, theme by Ilan Eshkeri

• MARVEL’S GUARDIANS OF THE GALAXY, music by Richard Jacques

• RATCHET & CLANK: RIFT APART, music by Mark Mothersbaugh and Wataru Hokoyama

 

MEJOR RELANZAMIENTO O REGRABACIÓN DE UNA BANDA SONORA

• THE DIARY OF ANNE FRANK, music by Alfred Newman; album produced by Nick Redman, Mike Matessino, and Neil S. Bulk; liner notes by Julie Kirgo; album art direction by Jim Titus (La-La Land)

• THE EIGER SANCTION, music by John Williams; album produced by Mike Matessino; liner notes by Jon Burlingame; album art direction by Kay Marshall (Intrada)

• LEGEND, music by Jerry Goldsmith; album produced by Cyril Durand-Roger, Laurent Lafarge, Reynold d’Silva, and David Stoner; liner notes by Jeff Bond; album art direction by David Marques (Music Box/Silva Screen)

• LIONHEART, music by Jerry Goldsmith; album produced by Cary Mansfield; liner notes by Tim Grieving; album art direction by Bill Pitzonka (Varèse Sarabande)

• THE TAMARIND SEED, music by John Barry; album produced by Geoff Leonard, Pete Walker, Ruud Rozemeijer, David Stoner, and Reynold d’Silva; liner notes by Geoff Leonard and Pete Walker; album art direction by Stuart Ford (Silva Screen)

 

MEJOR COMPILACIÓN

• THE FILM SCORES OF BERNARD HERRMANN, music by Bernard Herrmann; album produced by Tony d’Amato, Gavin Barratt, Raymond Few, and Tim McDonald; liner notes by Tom Schneller; album art direction by Matt Read (Phase 4/Deutsche Grammophon)

• GABRIEL YARED: MUSIC FOR FILM, music by Gabriel Yared; the Brussels Philharmonic Orchestra and Vlaams Radiokoor. conducted by Dirk Brossé; album produced by Thomas Van Parys and Marijke Vandeburie; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Gent)

• PEDRO ALMODÓVAR & ALBERTO IGLESIAS FILM MUSIC COLLECTION, music by Alberto Iglesias; album produced by José M. Benitez and Alberto Iglesias; liner notes by Pedro Almodóvar, Alberto Iglesias, and Manuel J. Lombardo; album art direction by Nacho B. Govantes and Luca Barcellona (Quartet/El Deseo)

• THE PINK PANTHER FINAL CHAPTERS COLLECTION (TRAIL OF THE PINK PANTHER/CURSE OF THE PINK PANTHER/SON OF THE PINK PANTHER), music by Henry Mancini; album produced by Chris Malone; liner notes by John Takis; album art direction by Nacho B. Govantes. (Quartet)

• SPOTLIGHT ON JOHN WILLIAMS, music by John Williams; the City Light Symphony Orchestra, conducted by Kevin Griffiths; album produced by Pirmin Zängerle and Martin Korn; liner notes by Basil Böhni; album art direction by Roger Krütli (Prospero Classical)

 

MEJOR COMPAÑÍA DISCOGRÁFICA

• INTRADA, Douglass Fake and Roger Feigelson

• LA-LA LAND RECORDS, MV Gerhard and Matt Verboys

• MOVIESCORE MEDIA, Mikael Carlsson

• MUSIC BOX, Cyril Durand-Roger and Laurent Lafarge

• QUARTET RECORDS, José M. Benitez